By Noah Lukeman
The 1st sensible and available consultant to the paintings of punctuation for artistic writers. Punctuation unearths the author: haphazard commas, for instance, display haphazard pondering; transparent, lucid breaks show transparent, lucid considering. Punctuation can be utilized to coach the author tips to imagine and the way to jot down. This brief, useful publication indicates authors the advantages that may be reaped from learning punctuation: the artwork of fashion, sentence size, that means, and economic system of phrases. There are full-length chapters dedicated to the interval, the comma, the semicolon, the colon, citation marks, the sprint and parentheses, the paragraph and part holiday, and a cumulative bankruptcy on integrating all of them into "The Symphony of Punctuation." full of workouts and examples from literary masters (Why did Poe and Melville depend on the semicolon? Why did Hemingway include the period?), A sprint of Style is interactive, hugely attractive, and a need for inventive writers in addition to for somebody seeking to make punctuation their pal rather than their mysterious foe.
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You’re allowed to mix categories, but one of them has to be dominant. ✓ What story elements interest you most? Do you want to write a story with a complex story world? Deep characters? A fast-paced, twisty plot? A powerful theme? A unique and captivating style? You can choose more than one of these, but remember that no author in the world is fantastic at all story elements. Remember: Choose what you want to write, not what you think you should write or what you think people expect you to write.
Revealing thoughts: Interior monologue As a novelist, you have an enormous advantage over the screenwriter: You can show the reader your character’s exact thoughts. The screenwriter is forced to make the viewer guess by showing a closeup of an actor’s face or by using a voiceover (which many moviegoers regard as cheesy). Interior monologue shows the reader what a character is thinking. You can choose from several levels of interior monologue: ✓ Quote the thoughts exactly. ✓ Summarize them. ✓ Give the overall flavor of the thoughts.
Theme: Every novel has a core idea — a theme. The twin hazards of theme are to put in either too little or too much. Go to Chapter 11 to see how to find your theme by listening to your characters. We also show you what to do to fix the most common problems. Editing Your Fiction Great writing never happens in the first draft. It happens when you edit your work — keeping what works, chucking what doesn’t, and polishing it all till it gleams. indd 18 10/23/09 8:44 PM Chapter 1: Fiction Writing Basics 19 You can’t depend on your editor to fix your novel.
A Dash of Style: The Art and Mastery of Punctuation by Noah Lukeman